
A look inside the House of Desrues.

Haute Couture button and jewelry craftsmanship.

Reinterpreting Coco's personal jewels to adorn CHANEL's modern clientele.









All Images: Courtesy of CHANEL
Lilogi presents an exclusive backstage video, direct from Paris-Bombay. Video: Courtesy of CHANEL
Interview with Karl Lagerfeld following his presentation of Paris-Bombay Métiers d'Art. Video: Courtesy of CHANEL

Paris-Bombay Métiers d'Art Collection



























































Karl Lagerfeld walking with Stella Tennant at the Paris-Bombay finale. All Images: Courtesy of CHANEL

A look inside the House of Massaro.

Since 1894, the bootmaker Massaro has created made-to-measure footwear.

In 1957, Raymond Massaro created the two-tone sandal for Gabrielle Chanel.








All Images: Courtesy of CHANEL
A glimpse within the walls of the ateliers and an intimate look at their craftsmanship. Video: Courtesy of CHANEL

A look inside the House of Lemarié.

'A studio of feathers for finery', created by Palmyre Coyette.

In 1946, the founder's grandson André Lemarié, joined and added flower-making to their House.

Gabrielle Chanel came to Lemarié in the 1960s to design her camellias.










All Images: Courtesy of CHANEL

A look inside the House of Lesage.

Lesage contains the largest collection of couture embroidery in the world.

In 1992, Lesage opened its school of embroidery to teach and perfect the house's handmade techniques.
















All Images: Courtesy of CHANEL
Paris-Bombay Métiers d'Art. Runway highlights from the show. Video: Courtesy of CHANEL

Paris-Bombay, photographed by Karl Lagerfeld.










A look at Karl Lagerfeld behind the lens.




All Images: Courtesy of CHANEL

Behind-the-scenes fittings for Paris-Bombay Métiers d'Art.














Images by: Benoit Peverelli

The lavish runway at the Galerie Courbe, Grand Palais in Paris.


All Images: Courtesy of CHANEL
Gabrielle ‘Coco’ Chanel once stated, “I want to be part of what is going to happen.” Above all, her forward thinking led to the establishment of some of the most elegant fashions of the 20th century. But what Coco could never have known is how her spirit has continued to energize CHANEL, even today. It was not merely an inspiring legacy that Mademoiselle left behind when she passed; her brand’s devotion to the ideals upon which it was originally founded, her belief system, is unparalleled. And yet, no CHANEL collection is ever the same. Driven to push forward with a new idea or direction, the House designs with a resolute vision for fashion’s future while looking to Mademoiselle as its compass.
Since 1983, Karl Lagerfeld has asserted CHANEL’s reign over the fashion world. He has modernized the House without marginalizing the fundamental values that have always motivated its success. Lagerfeld’s respect for and commitment to Chanel, the woman, is astounding, and no other brand achieves the innumerable subtle ironies that pervade CHANEL collections. Not to be mistaken for somber nostalgia, internal references to the House’s heritage are always celebrated by those who are aware of the brand’s vivid history. For our final day of ‘Maison CHANEL’, Lilogi presents Karl Lagerfeld’s Métiers d’Art collection. Although it applauds the life and mind of Mademoiselle, this collection is a greater testament to Lagerfeld’s creative genius.
When textile manufacturing grew exponentially beyond French borders, Karl Lagerfeld ensured that the ateliers accountable for Chanel’s victory and CHANEL’s future would survive. The specialist couture ateliers of Paris, which shaped French fashion with their imaginative creations and hand-made processes, were joined together in a union initiated by Lagerfeld in 2002. As a result, the seven artisanal houses are now fortified as well as free to maintain their crafts and pass on their traditions to future generations. Known as the Paraffection Company, which translates to ‘For the love of’, this group of atelier houses contributes to CHANEL collections, though most notably to Metiers D’art, and to Paris-based couture houses year-round. The feather expert Lemarié, the button-maker Desrues, the embroiderer Lesage, the jeweler Goossens, the fabric flower architect Guillet, the bootmaker Massaro, and the milliner Michel are well-preserved under CHANEL’s protection.
"We make neither jewelry nor fashion accessories. Our creation exists only through our freedom of tone, of expression, and because of the fact that we know how to turn our classic training into fantasy. And this rigor for quality, this excellence will remain our trademark." - Patrick Goossens
What is typically known as a Pre-Fall collection is presented by CHANEL as Métiers d’Art, which honors CHANEL’s heritage as well as Lagerfeld’s fashion foresight. The collection is also a tribute to the refined craftsmanship that is essential to the House of Chanel. For Métiers d’Art, Lagerfeld creates an alliance between Paris and a different city of lights. These cities are impressively tied to Mademoiselle’s memories but also directly associated with current global affairs.
From the high road of London to the gilded opulence of Moscow, or the unforgettable Shanghai production followed by a more intimate affair with Byzantium, every collection is astonishing. Each of the approximate seventy looks that grace the Métiers runways are heavily embroidered and jeweled, with feathers and flowers floating from hemlines, to produce a fantasia of seductive surprise. Lagerfeld’s 2012 Métiers d’Art collection Paris-Bombay, which showed last week in Paris, proves that this year is no exception to his annual rule of success. Always pushing the limits of our imaginations, CHANEL’s ateliers have reclaimed their stage within Lagerfeld’s tour de force.
PARIS-BOMBAY
CHANEL’s Paris-Bombay is a glamorous mirage realized by mastermind Karl Lagerfeld, who, coincidentally, has never traveled to India. Last week, his latest Parisian fantasy, which now doubles as CHANEL’s India, transformed the Galerie Courbe at the Grand Palais into a lavish Maharaja’s palace. The true feast at the show was not the edible banquet that lined the guests’ tables, but rather the exquisite collection on the actual runway. Without ever losing himself in the imaginative world that he constructed, Lagerfeld remained dedicated to designing sensible clothing. This season, CHANEL’s vision for 2012’s Parisian chic was articulated beautifully using opulent fabrics, modern saris, and jewels paired so perfectly they could make a Maharani out of any one of us. Black and ivory stabilized the collection while pops of hot pink surfaced between swathes of gold. Alas, a new femininity has arrived in the form of CHANEL’s draped silk, soft shoulders, and brocade jackets.
Lagerfeld’s presentation was elaborate, but earnest. And in true CHANEL style, his Métiers d’Art dream became a reality with the help of his Paraffection Company. The specialist skill of the artisanal craftsmen captivated the show’s audience with embroidered dresses, hand-stamped boots, and decorated silhouettes that proved the craftsmen’s ultimate devotion to detail. The handmade garments as well as the jewelry that adorned models’ foreheads and hands showcased the world of possibility that exists within the Parisian atelier houses. Pearls dripped off of jackets and dresses, and braided tweed appeared in unexpected places. Collars, cuffs, and even cravats were masterfully embellished so that without ever leaving Paris, Lagerfeld brought India home.
As we bid farewell to ‘Maison CHANEL’, we invite you to lose yourself in a visual voyage through the artisanal houses and Karl Lagerfeld’s 2012 Métiers d’Art collection, Paris-Bombay.
All Images and Videos: Courtesy of CHANEL.
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